from sketch to space, part two

This post is part of a series where I intend to provide additional information while attempting to illustrate the process of restoring San José Church in Old San Juan. Please refer to Part One in a previous post.

Present Time

The current restoration efforts at San José began in 2005 and Jorge Rigau, FAIA – Arquitectos PSC has been fully involved since 2013 a year after the Patronato de Monumentos de San Juan was established as a not-for-profit private organization to oversee and secure funds for the works.

Past

San José was occupied for almost five centuries by three religious orders; Dominicans, Jesuits, and Vincentians. The church was originally named Santo Tomás de Aquino (Saint Aquinas) by the Dominican Order, who built it as part of their convent. The structure as we see it today was the product of a series of interventions that spanned almost three centuries, up to the mid-1800s until the Dominican Order was expelled and the Spanish government seizes control of the convent.

Later in the 1860s, the Jesuits took over the church and eventually renamed it as San José. During their stay, but most probably in preparation for their arrival, major interventions were performed. However, the character of these works was primarily aesthetic. One can only imagine that, in comparison to other Jesuit churches, the modest finishes under the Dominican period were too austere for their taste.

Therefore, the clay floor (there are only written accounts of its existence) was replaced with an Italian marble. Also, an exuberant gothic altarpiece or retablo was installed in its main page; and all interiors were plastered, while its main vaults were ornately painted blue and decorated with stars in allusion of a cielo aperto. We know about the existence by black & white photographs of the early 20th century, as well as traces of the blue paint and brass nails that presumably held the stars were still visible in the vaults. Surprisingly, after all these efforts, the Jesuits did not stay long at Sa José. Shortly by the early 1930s the Vincentian Fathers had already made changes to the church and stayed until its closure in the late 1990s.

The intervention

During the process of completion of San José, multiple building materials and methods were used. For example, stone masonry construction was employed during the original sections of the church. Therefore, apse, and transept, as well as part of the main and lateral naves were built with traditional medieval stone masonry construction. (See sketch below) For the rest of the structure rubble masonry walls were employed.

At some point — possibly during the Jesuit period — the northwest arch of the main nave opening towards the lateral nave was enlarged in what seems like an attempt to provide uniformity with the other arches at both sides of the space. However, while all other arches were made either in stone or brick masonry this one was reinforced with concrete, all hidden behind cement plaster.

We cannot say exactly when the concrete reinforcement had been applied, but by the time we encountered, the structure had been failing due to corrosion and spalling. It was our recommendation to carefully remove the concrete and instead provide a more compatible reinforcement to the unstable rubble masonry opening.

Sketch illustrating the new brick masonry arch to be erected in lieu of the incompatible reinforced concrete intervention.

Explanatory sketch (with on site clarification jots) to illustrate the laying of bricks and how to (and not to) cut the bricks to articulate the arch’s corners. The articulation was a way to emulate — without copying — the profile of the medieval stone voussoirs of the existing arches.

The next two photographs illustrate the process of erection of the new arch and the last image portraits the finalized brick reinforcement.

from sketch to space, part one

Until last year (2017), while working at Jorge Rigau, FAIA -Arquitectos PSC (jorgerigau.com), I collaborated in the restoration of San José Church in Old San Juan, the second oldest church in the New World. Originally built by the Dominican Order, its construction began in 1532, and spanned until mid-19th Century, with several restoration efforts undertaken during the 20th Century.

As an overseer of the conservation effort under the Patronato de Monumentos de San Juan, I recorded minute details of existing conditions, as well as restoration techniques, and on-site solutions and recommendations.

Customarily, architecture projects rely heavily on construction plans; and while historic preservation endeavors are not exempt of including such drawings, on-site sketches and recording field notes tend to have greater weight. First, because surprises abound; second, since — more often than not — complex tasks need to be translated to workers; and finally, because preservation is mainly about restoring traditions, and on-site instructions — I strongly believe — is one of them.

In this post and a series following, I’ll illustrate how some of those graphic instructions aided at the restoration of myriad elements throughout San José.

While assessing a structural fracture at the Virgen del Rosario Chapel a wall niche or hornacina was discovered behind cement plaster. In what seemed like an attempt to address the structural crack (or change in liturgical aesthetics), the niche had been sealed off from view.

Throughout time, a series of earthquakes affecting Old San Juan had structurally compromised the church and several openings had been repaired. Even if well-intentioned, most too often this repairs where performed with incompatible or feeble means and methods.

Notwithstanding, vestiges of the original niche were still visible under the improvised enclosures. Therefore, we opted for reconstructing the niche, albeit ensuring an appropriate structural reinforcement of the fractured wall above. The sketch above illustrates our response; restoring the original half-round niche and providing a half-dome to structurally stabilize the damaged lintel, allowing the safe distribution of gravitational forces towards the reinforced brick masonry base.

The photo below shows a bricklayer erecting the masonry base that supported the half-dome. The voids between the brick masonry of the new niche and the uneven surfaces of the rubble masonry wall were carefully filled in with a compatible mortar in order to provide a solid substructure. The subsequent images show the finished hornacina within the space.*

* We decided just to include our sketches, photos of the process and images of the finished product. But in Puerto Rico, for far too long, traditional means and methods of construction like brick, stone or rubble masonry, had been lost. During the mid-20th Century, disguised as a way to withstand hurricanes, traditional construction including wood had been replaced by reinforced concrete (and eventually steel) construction.

Needless to say, throughout the restoration process of San José workers encountered multiple difficulties. Regardless of their avid skills, many initially lacked the discipline to deal with the minute details pertaining traditional construction; careful selection of materials; consistency of mortar mix production; and most importantly, the need for erecting work ensuring geometrical precision in order to withstand the effects of gravity.

Workers quickly learned the fact that masonry construction is not as forgiving (not to say malleable) as reinforced concrete; therefore there were many failed-starts. Fortunately, in all instances, workers’ pride for their craft and perseverance worked in our favor. The finished product not only ended as imagined, but it also performs as intended.